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secret fireworks

a music blog with a northern irish twist

 

look left to see if you are right....


The Postbox Theory are a band that have impressed me from the outset: their song "Recommence The Tea Party" has been a particular favourite of mine over the past a few months, while they are set to play with A Plastic Rose and LaFaro in July. The Lisburn four-piece recently released their debut EP "Experiment #1" and have been garnering praise and acclaim from both bands and the blogosphere: not bad for a band that are still in secondary education! I caught up with Claudio Manso to discuss the EP, the band and the future.

"Zach and I were sitting in a changing room about a year ago, and we just decided there and then to have another crack at getting a band together," explained Claudio. "After that, it all fell into place: we recruited our friend Dean to play drums and after a while Dane became our bass player." The Postbox Theory have encountered a few difficulties due to their age: "We sometimes get asked for IDs [when we're playing a gig] and we've been asked to leave. However, I think once people look behind the name and listen to us play, they ignore the age thing and they take us seriously."

It's quite rare for a band that has been together for such a short time to put out an EP, but according to the band, the timing was perfect. "We had written a couple of songs and we spent a few months trying to perfect them: at the same time, we had a number of new ideas that sounded really good. Michael Mormecha (mojoFURY and Clown Parlour) really wanted to record with us so we went for it." For Claudio, the recording experience was fantastic: "It was weird at the start, adjusting to a studio, because we had never been in one before. After a couple of hours recording drum tracks and demoing, however, it just clicked."

The first track on the EP, "Mirrors", is an instrumental that evokes memories of Mogwai and Explosions In The Sky: however, unlike most post rock it has a purpose instead of just dandering from note to note. It's ominous, dark and brooding from the outset. A distorted noise gently opens the track with a clean guitar riff, then instruments join in one by one. "Mirrors" is carefully measured, restrained and a memorable way to start the EP. The track slowly builds up, reaches a peak and then dies away with grace. It's a bit creepy but it's gorgeous nonetheless. Claudio explains: "Zach and I were jamming, and Mirrors just came together. I asked the band whether they thought the song needed vocals, but it was clear that it was better to be left alone!"

"Mirrors" may have been a little too restrained for my liking, but "Ease Of Use" certainly doesn't suffer from this problem. Driving guitars and thundering drums open the track, then a glorious bassline kicks in. Indeed, the bassline is consistently impressive throughout "Experiment #1"- it is constantly at the forefront and always inventive. "We want everyone to have a major part in every song- instead of forgetting about bass guitar like some bands, in tracks like Ease Of Use it drives the song along." The sole disappointment with the track is the vocals, sadly: Claudio's performance is good, but you can barely make it out, as the instruments drown him out. It's quite clear he's going for gravitas instead of dramatics: he pulls it off, but for maximum effect he really needs to be a little bit braver, and a hell of a lot louder.

"Look Left To See If You're Right" is a wonderfully layered track that features a lovely little acoustic guitar part. Zach takes over on vocals for this track, creating a dark atmosphere with quiet yet powerful vocals. Dean's drumming is tight and appropriate: never distracting, never overbearing, just perfect. The track is angst ridden, mournful, and very promising.

"Recommence The Tea Party" is probably my favourite track on the EP. The harmonies are gorgeous and the song just keeps taking me by surprise: the introduction sounds a little like "Ease Of Use" and wouldn't be out of place on a We Are Scientists album. Then, the rhythm guitar part kicks in, and it's a cracking upbeat number. The middle eight part is a little dodgy: it feels to me like the song loses its structure. The outro, however, is magnificent: Manso sings "the only way is up for me", and it's balls to the wall from there. The driving guitars return and the drummer becomes temporarily possessed by the spirit of Animal. According to the band, it's a live favourite, but they're not quite sure why. "For Recommence The Tea Party, we wrote the music long before we had even thought of lyrics. The title doesn't even have anything to do with the lyrics!"

"The Argument" is easily the most radio friendly track on "Experiment #1"- those ominous, punktastic guitars return, battling against one another in a fight to the death with no clear winner. Lyrically it's probably the best track, and the chorus is catchy as hell. I can imagine a few hundred people screaming out "I think all you's want me dead", though the grammar police might not be happy. There's a cowbell in the background too- an instrument sadly missing from local music all too often.

Overall, it's a great EP. Four talented musicians have created five tracks that many bands would be envious of: it's an angst filled and genuinely disaffected record. It's still raw but it's a professional debut: measured to perfection, inventive and promising great things. I'd be interested in seeing the band live: I'm not 100% sure if Claudio's vocals would be able to stand out amidst the inevitable ocean of noise that The Postbox Theory will create on stage, but even if that's the case they're one to watch on the live music scene. It's a scary thought how young these guys are and how darn good they are at the moment. If they catch a break and they continue to progress musically at their current rate, this EP could be the start of something very beautiful indeed. The band believe their next release might have a slightly different sound: we'll be waiting with baited breath.

The Postbox Theory MySpace