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secret fireworks

a music blog with a northern irish twist

 

mothers and fathers of the world, be patient with your children.... snow patrol at the odyssey.



photo credit: cheryl http://www.flickr.com/photos/24120498@N07/

Snow Patrol. Everyone's got an opinion on them. From the diehard fans that hold them up as a shining example of the Northern Irish music scene to those that would prefer to listen to screaming chainsaws. Personally, I'm quite a big fan- ever since I listened to Final Straw, I fell in love with the simplicity of the band. My favourite album was When It's All Over And Done We Still Have To Clear Up, which is simply a masterpiece. However, I was always disappointed with the live performances. Gary simply could not sing live, bless. However, we've been patient, and he's improved a hell of a lot.


Saturday's gig at the Odyssey was the second best I've seen in the Odyssey, and it was wonderful. First of all, the two support bands in Ed Zealous and General Fiasco were superb. Ed Zealous really got things going with their set- The Mothership was simply rocking, with wonderful interplay between the guitars and the keyboards. The riffs soar and slide, but the highlight of Ed Zealous' set would have to be due to Paul Irwin, the drummer. My goodness, I have never seen such a drummer on the local scene in this genre. The rhythms are complex and appropriate: he never showboats but he steals the spotlight constantly. The best song of the set has to be "I Will Destroy You" which thrilled and creeped the hell out of me at the same time. It sounds ominous and, well stalkerish. Think She's So Heavy by the Beatles. Minor, sharp vocals, great drumwork, just lovely. A tiny, tiny point that James McAvoy might perhaps pick up on is that while it's great to talk to the crowd, you don't have to keep asking how they all are every break between songs. But hey, he was probably nervous. A lot was asked of Ed Zealous when they were given the slot- and my god, how well did they answer.

General Fiasco were the better of the two supports- on another day, they could have been the best band in the Odyssey. They rocked the place with a ridiculously professional performance from a band that looked like playing the main venue in Northern Ireland was just a walk in the park for them. Owen's vocals, as ever, are stunning. I mean, it's rare to see a frontman that can be note perfect from start to finish and Owen is just one of these guys. As opposed to their Stiff Kitten gig it's not a wall of noise from GF tonight- the guitar lines are ringing out superbly. Something Sometime goes down very well with the crowd, and you're singing along without thinking about it.. the highlight of their set was a song that I haven't heard before- the guitar line sounds a little similar to Girls Just Wanna Have Fun (always, ALWAYS a good thing) and the lyrics are imaginative and clever. These lads are more than just two song wonders.

After the numerous Blackberry ads and obligatory Kings of Leon video, Snow Patrol take to the stage with "If There's A Rocket Tie Me To It", from A Hundred Million Suns. Lightbody and company start the gig like they finish it: they're note perfect, their performance has improved dramatically and Gary's voice is superb. Simply superb. Unrecognisable from the Gary Lightbody that took to the Ulster Hall for the Final Straw homecoming in 2004. The lights show is simply a feast for the eyes, with yellow light streaming out from everywhere and gorgeous visuals for all to see. One thing that particularly makes me feel all happy inside is the reaction of the band. They look like children at Christmas. Nathan and Gary are all smiles and laughing, while Paul and Jonny can barely keep their composure. The atmosphere is amazing.

We love Snow Patrol and they're happy to see us. Gary keeps thanking us and they keep knocking out the hits. "Chocolate" and "Hands Open" are played, with Gary making a small reference to Belfast and we go crazy with delight. He said the name of our city! In a song!

The band have been touring all over the world now over the past four years and it's really starting to show. There's an air of showmanship tonight- running all over the stage, playing to the crowd, it's class. "How To Be Dead" is reinvented on stage and it's nice to hear an older tune- then Gary announces that the legend that is Richard Coburn (from Belle and Sebastian) is on stage drumming tonight. It's that kind of night- this is Snow Patrol's homecoming, and they've brought a few friends with them.

And my my, it's easy to rock the Odyssey. To bring it down a notch and play a slower song takes guts and skill, and how well did Snow Patrol pull it off. The gorgeous musicbox keyboards ring out as "You Could Be Happy" starts up, and once again, Gary's vocals are wonderful. I can't state enough the massive improvement that has taken place. Then, surprisingly early, we hear those first few chords of "Run", and we go a little beserk. Leona Lewis' version of "Run" may be moving, but it's nothing compared to 10,000 people singing in perfect harmony. It's stunning. Claps ring out around the Odyssey and it just feels so special.

The encore of "The Lightning Strike" is stunning. I talked about the feast for the eyes that was the light show, but the video for this symphony is mesmerising. It's just hypnotising as the flowers make shapes and spawn. "What If The Storm Ends?" sounds better live than it does on CD- it's the best track on A Hundred Million Suns and if this is the direction Snow Patrol is heading in, I will be a very happy man.

All in all, it is a professional and gorgeous performance. It's a shame nothing was played from the first two albums, and Gary's mic completely drowned out the harmonies- a complete crime considering the complex vocal layers that SP are famed for- but they've set the bar pretty high for any acts from here. The spotlight was literally on Mr Lightbody for the entire show and he shone. Snow Patrol pleaded for mothers and fathers of the world to be patient with their children- that patience has certainly paid off.

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By Patrick
On Saturday, 21 March 2009
At Saturday, March 21, 2009
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a little solidarity goes a long way…

(photo credit:Shane Kelly, www.ballinascreen.com)

I have a confession to make. Despite the fact that And So I Watch You From Afar have been trumpeted all over the blogosphere and indeed in mainstream media, I’ve only listened to them in the past week. It’s a shame that it’s taken me so long as well, as I’ve been searching for a band just like them for the past four or five years. With the release of ASIWYFA’s eponymous debut album in less than one month and the release of the wonderful single “A Little Solidarity Goes A Long Way” the future looks pretty bright for a band that looks odds on to release the best album of 2009. It’s a bold statement but hell, that’s how damn good these guys are.



The whole instrumental post rock/punk thing isn’t really a new concept. You’ve got the wonderful Mogwai, and you’ve got the superb Explosions in The Sky. The slight problem I have with both these bands is that they concentrate too much at times on creating works of art and beautiful symphonies with electric guitars, and not enough on just going “balls to the wall”. Sigur Ros suffer at times from being a little too fragile, and the vocals can get on your nerves at times, let’s be honest. ASIWYFA simply combines the best bits of other bands, adds in their own unique talents and influences, and the output is solid gold.

The tracks that I’ve heard combine an intensity and an incredible energy with gorgeous melodies and beautiful, beautiful layers. It’s catchy as hell as well: you still have the 7 minute symphonies but there’s good reason for each track to be that long. “Don’t Waste Time Doing Things You Hate” and “The Voiceless” highlight this perfectly: you’re gripped, you’re fascinated by this incredible sound. However, the single, "A Little Solidarity Goes A Long Way" (the name of a Belfast festival set up by the band which I sadly missed) is an absolute gem. Watch the video below, and I'm sure you'll fall in love.



Mandela Hall hosts an ASIWYFA album launch on Saturday 4th April: tickets are £9 and available from the usual outlets. The wonderful Lowly Knights are supporting, along with Pocket Billiards who are wonderful live. If you want to be thrilled and amazed by the NI music scene, simply go ahead and buy a ticket: these lads will simply blow you away.


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By Patrick
On Tuesday, 17 March 2009
At Tuesday, March 17, 2009
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conor mason (free album of the week)

Once again, welcome to the free 3060119192_18c8dc1fb6[1]album of the week post. This week’s offering is the debut album of Conor Mason, a wonderful songwriter originally from Derry that currently resides in Glasgow. “Let It Unfold” documents the first tentative steps of Mason towards musical brilliance.


Conor is a singer songwriter in the true sense of the word- on this album he doesn’t give into the temptation of just hammering out a few chords and singing along. Every song has a clearly sculpted melody and structure that includes bass and lead guitar as well as a pretty acoustic guitar line. With the drum machine and the desire to mess things up a little the comparisons to David Kitt are pretty darn obvious, but in some respects he manages to outKitt the Kittster.

The vocals are restrained and quiet, rather like the shy guy at a party instead of the boisterous shouts of the typical singer songwriter (Damien Rice, I’m looking at you). The lyrics can be lacking at times but apart from this, you can safely mention Elliott Smith and Conor Mason in the same breath: a wonderful ear for catchy and memorable tunes, lovely harmonies and a desire for complex songs. The gorgeous waltz that is “Nothing To Say” sticks in your head- there’s trumpets, a repetitive drum beat, lovely, unassuming vocals (with half hearted lyrics) and a wonderful guitar part. It wouldn’t be out of place on XO: indeed, it wouldn’t be out of place in Grey’s Anatomy.

“Let it Unfold”, the title track, slows things down a bit. A repeating guitar line, backing vocals that are reminiscent of Bon Iver and something unmistakeably wonderful that captivates the listener. Mason doesn’t waste words: indeed the chorus consists of the words “let it unfold, let it unfold” repeated over and over again, and it’s stunning.

There really isn’t a filler track on this album. Admittedly, it’s more of a demo than a properly produced album and it does show at times. However, the whole lo fi thing makes “Let it Unfold” just a teeny bit more intimate, especially on tracks such as “Save A Line” that could so easily be over produced. A great debut that promises a lot more.

Download album

Download Let It Unfold (right click, save as)

Download Save A Line (right click, save as)

Download Nothing To Say (right click, save as)


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